Little Richard was recording for Vee Jay from June 1964 to at least May–June 1965. We have singled out those tracks we are relatively sure have Hendrix involvement, although he may have appeared on others." Of most importance to latter-day rock fans are the cuts that Jimi Hendrix played on, as a member of Richard's touring band. A single was released at the time and four of the songs were eventually released, with additional overdubs, on the 1970 compilation Well Alright!.Ĭharles White wrote in 1984: "Even with access to the Vee Jay files, information is a bit uncertain in some areas. He recorded five titles (including "Well Alright" and "Bama Lama Bama Loo") in two sessions in March and April 1964. In the wake of the " British Invasion" and following a successful tour of England, Richard collected his current guitarist (Glen Willings), the drummer from his New Orleans sessions ( Earl Palmer), and old labelmates Don and Dewey and returned to Specialty to start his comeback. The recordings made for Atlantic from June 14, 1962, to April 2, 1963, continue Richard's commitment to religious material. Richard reached the charts with two single releases. It appears a second Mercury album was planned but shelved. These excellent recordings have been produced by Quincy Jones and Bumps Blackwell. Little Richard was working for Mercury from June 1961 to March 1962. Two singles were released by Little Star under the name "The World Famous Upsetters". Little Richard recorded six rhythm and blues songs, 3 Fats Domino vocals and 3 instrumentals, backed by his 1950s band, the Upsetters, on November 24, 1962, in New York. However, the best of these recordings exude a purity and commitment not always found on Richard's later recordings. The recordings are considered miserable, and three record labels with access to the "dirgelike" cuts overdubbed drums and other percussion to fill out the sound. Several religious cuts were recorded in the summer of 1959 in New York City and released by different labels owned by (or associated with) record industry mogul George Goldner ( End, Goldisc, Coral, Spin O Rama, etc.). In an effort to make these bluesy recordings sound "current", they added a female chorus (and in at least one instance, extra instrumentation) to the basic track. When Richard abdicated from Rock 'n' Roll in late 1957, Specialty was forced to go back to earlier, less rock-oriented recordings they had rejected initially to make future releases. The recording sessions Little Richard cut for Specialty are among the most important in the history of pop music. He was recording for Specialty for two years, from September 13, 1955, to October 18, 1957. Little Richard recorded the demonstration tape for Specialty at WBML Studio, Macon, on February 9, 1955. Peacock sessions: Houston, February 25 and October 5, 1953 RCA Victor sessions: WGST Studio, Atlanta, October 16, 1951, and January 12, 1952 HHS: "Ankylosing Spondylitis: An Overview."Īmerican Association of Neurological Surgeons: "Spinal Cord Injury.Recording sessions The pre-Specialty sessions Mayo Clinic: "Herniated disk," "Cervical spondylosis," "Osteoarthritis," "Spinal stenosis," "Sciatica," "Vertebral tumor," "Scoliosis," "Kyphosis," "Syringomyelia."Īrthritis Foundation: "What is Ankylosing Spondylitis?" OrthoInfo: "Spine Basics," "Cervical Fracture (Broken Neck)," "Fractures of the Thoracic and Lumbar Spine," "Low Back Pain," "Spondylolysis and Spondylolisthesis," "Cauda Equina Syndrome." 1) (Left to right) yodiyim / Thinkstock, PIXOLOGICSTUDIO / Science SourceĨ) Southern Illinois University / Science Sourceġ2) SCIENCE PHOTO LIBRARY / Science Sourceġ6) BSIP / AMELIE-BENOIST / Medical Images
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